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Higher Drama - question paper
Question paper 2023 (All links open as PDF files)
- 2023 Question paper (External link to SQA website)
- 2023 Marking instructions (External link to SQA website)
- Section 1 – theatre production: text in context, Question 1 (Grain in the Blood)
- Section 2 – theatre production: application, Question 7 (Grain in the Blood)
- Section 3 – performance analysis, Question 9 (Yerma)
- Candidate 1 Evidence
- Section 1 – theatre production: text in context, Question 3 (The Crucible)
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Section 3 – performance analysis, Question 9 (The Enemy)
- Candidate 2 Evidence
- Section 1 – theatre production: text in context, Question 3 (Things I Know to be True)
- Section 2 – theatre production: application, Question 7 (Things I Know to be True)
- Section 3 – performance analysis, Question 8 (Medea)
- Candidate 3 Evidence
- Section 1 – theatre production: text in context, Question 4 (Let The Right One In)
- Section 2 – theatre production: application, Question 7 (Let the Right One in)
- Section 3 – performance analysis, Question 9 (Things I Know to be True)
- Candidate 4 Evidence
Question paper 2022 (All links open as PDF files)
- 2022 Question paper (External link to SQA website)
- 2022 Marking instructions (External link to SQA website)
- Section 1 - theatre production: text in context, Question 2 (The Crucible)
- Section 2 - theatre production: application, Question 7 (The Crucible)
- Section 3 - performance analysis, Question 9 (Frankenstein)
- Candidate 1 Evidence
- Section 1 – theatre production: text in context, Question 3 (The Crucible)
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Section 3 – performance analysis, Question 9 (The Enemy)
- Candidate 2 Evidence
- Section 1 - theatre production: text in context, Question 4 (Taste of Honey)
- Section 2 - theatre production: application, Question 5 (Taste of Honey)
- Section 3 - performance analysis Question 9 (All my Sons)
- Candidate 3 Evidence
Question paper 2019 (All links open as PDF files)
- 2019 Question paper (External link to SQA website)
- 2019 Marking instructions (External link to SQA website)
- Section 1 – theatre production: text in context, Question 1 (The Strange Undoing of Prudencia Hart)
- Section 2 – theatre production: application, Question 7 (The Strange Undoing of Prudencia Hart)
- Section 3 – performance analysis, Question 9 (Cyrano de Bergerac)
- Candidate 1 Evidence
- Candidate 1 Commentary
- Section 1 – theatre production: text in context, Question 4 (The Crucible)
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Section 3 – performance analysis, Question 8 (Mouthpiece)
- Candidate 2 Evidence
- Candidate 2 Commentary
- Section 1 – theatre production: text in context, Question 3 (The Birthday Party)
- Section 2 – theatre production: application, Question 7 (The Birthday Party)
- Section 3 – performance analysis, Question 8 (Cyrano de Bergerac)
- Candidate 3 Evidence
- Candidate 3 Commentary
- Section 1 – theatre production: text in context, Question 2 (The Importance of Being Ernest)
- Section 2 – theatre production: application, Question 7 (The Importance of Being Ernest)
- Section 3 – performance analysis, Question 8 (The Breathing House)
- Candidate 4 Evidence
- Candidate 4 Commentary
- Section 1 – theatre production: text in context, Question 2 (The Crucible)
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Section 3 – performance analysis, Question 8 (Mancub)
- Candidate 5 Evidence
- Candidate 5 Commentary
- Section 1 – theatre production: text in context, Question 3 (The Crucible)
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Section 3 – performance analysis, Question 8 (Titus Andronicus)
- Candidate 6 Evidence
- Candidate 6 Commentary
- Section 1 – theatre production: text in context, Question 1 (The Birthday Party)
- Section 2 – theatre production: application, Question 7 (Birthday Party)
- Section 3 – performance analysis, Question 8 (Cyrano de Bergerac)
- Candidate 7 Evidence
- Candidate 7 Commentary
- Section 1 – theatre production: text in context, Question 3 (Lovers)
- Section 2 – theatre production: application, Question 7 (Lovers)
- Section 3 – performance analysis, Question 8 (A War of Two Halves)
- Candidate 8 Evidence
- Candidate 8 Commentary
Question paper 2018 (All links open as PDF files)
- 2018 Question paper (External link to SQA website)
- 2018 Marking instructions (External link to SQA website)
- 2018 Specimen question paper and marking instructions (External link to SQA website)
- Section 1 – theatre production: text in context, Question 1 (Angels in America)
- Candidate 1 Evidence
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Candidate 2 Evidence
- Section 2 – theatre production: application, Question 7 (The Crucible)
- Candidate 3 Evidence
- Section 2 – theatre production: application, Question 7 (Antigone)
- Section 3 – performance analysis, Question 8 (Julius Caesar)
- Candidate 4 Evidence
- Section 2 – theatre production: application, Question 7 (Antigone)
- Section 3 – performance analysis, Question 8 (Julius Caesar)
- Candidate 5 Evidence
